magistrate: The arc of the Earth in dark space. (Default)
You know, it took me until today to really put my finger on why I prefer a certain style* of asterisking/footnoting things in blog posts and web documents over another.

* That style being this one, in which the "footnote" is placed directly after the paragraph in which its asterisk appears.

It's because when reading a physical book, when I see a footnote, I can glance down to the bottom of the page and read the addendum. Even if the footnote occurs in the middle of a very long chapter, I can easily glance down and back up to my spot again because the chapter is formatted into discrete pages, the footnote is placed at the bottom of the page, and I can hold an entire page in my field of vision.

Internet texts, though, generally work with a long vertical scroll, and there's no convenient way of marking your position. (I usually resort to highlighting passages so that the highlight will catch my eye if I have to scroll away and scroll back up to find it.) Once you add in the fact that you often don't know where the footnotes will be, where the scrollbar is concerned – if you have a blog post with a large number of comments, for example, the end of the page is the end of the comment section, not the end of the post; finding the footnotes involves moving the scrollbar to some ill-defined middle point – you're either left with the hassle of scrolling/searching down and back up every time you encounter an asterisk (which I find really disruptive to my reading experience), or just encountering all the footnotes at the end, shorn of their context unless you want to go back up and search through the text to re-find them.

By contrast, placing the footnotes immediately after the paragraph in which their asterisk occurs doesn't interrupt the flow of the asterisked sentence, but it still places the additional information within the same field of view as its context.

Incidentally, this is also why I have a grudge against the term trans*, and refuse to use it to refer to myself**. ("trans," fine, though I prefer the specificity of "neutrois". "trans*," fuck no.) Because the first time I encountered it in a blog post, I spent several minutes looking for the footnote and becoming increasingly annoyed that I couldn't find it. Because while * is used as a wildcard character in certain contexts? In the context of writing out discussions on the internet, * has another, more-well-established meaning, and that's the promise of additional information to be fulfilled within the document, at some point following the *. When that promise isn't fulfilled, well, XKCD may have said it best.

** If you prefer that I use the term trans* to refer to you, I will, but I will also persist in thinking that it's an extremely poor piece of information design.

Anyway, there's no real point to this entry, except to note that the formal reasoning behind my gut preference finally snapped into place, and that was cool.
magistrate: The arc of the Earth in dark space. (Default)
So let's talk about Rust City.

Rust City began as a thought experiment as to whether or not I could write something Bizarro. (The verdict is: I couldn't. The closest I've ever come is probably The Relative Densities of Seawater and Blood, and it's not very bizarre, compared to anything, say, Carlton Mellick III has ever written. I think that in order to write Bizarro, you have to have the abilites (1)Not to take yourself so damn seriously, and (2)Let go of the need to explain or at least justify everything, and I score pretty badly on those rubrics.)

The story follows Ferro, a man with a condition that's given him the primary sex characteristics of an standard XX physiology but a standard set of XY secondary sex characteristics. He falls in with a pair of cousins named Wolf and Sela, who may or may not be genetically-engineered remnants of the war that screwed up the entire planet, either decades or centuries ago.

The full title of the project is Rust City (a love story), though I remain unsure of what the love story actually is. (Wolf and Sela have an extremely broken familial relationship they both want fixed but don't know how to fix, Wolf and Ferro sleep together, Ferro is fascinated and stalked by Sela, and for all this time Ferro is crushing on a woman named Kyoto who has burn scars covering most of her chest. There's a lot of thematic body stuff going on here, and it's all kind of a mess.)

Also, there are molemen, which aren't actually molemen. They're more like some kind of cavefish-esque offshoot of Homo sapiens who live in the old (but expanded) sewer system beneath the city. (I'm not sure that's better.) They communicate with Ferro by exploiting a trick of his synaesthesia – yes, Ferro also has synaesthesia, as well as hypertactility and haptophilia – which also has a tinge of the supernatural to it.

It's resisting being written, for the most part, because I honestly have no idea where it's going or why half the stuff is happening. You know, conventional wisdom says that you should have your story worked out before you start writing it. At least you should know what the major players and motivations will be. Possibly have some understanding of the plot. That's just not how I roll; I tend to slap stuff that sounds pretty on a page and hope that eventually my brain will start supplying all the connective tissue, musculature, and skeletal structure. Sometimes in that order.

But I wrote a slim 655 words on it last night, and now I'm sharing an excerpt with you!

He felt himself sailing down, through the floor, drawn toward the molten center of the world, but before he could come anywhere near it he was caught in a noise like spidersilk. It wrapped around him, twining through his pores in a rhythm like words.

They were words. Maybe not in a classical sense, but something intelligible without being sound. Something like,


And then, by more voices, closer to his skin,

(brightseer, sunfucker)

(up him)



[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop which has supported real live Bizarro authors! And many, many others.]
magistrate: The arc of the Earth in dark space. (Default)
...meanwhile, my brain is giving me someone named Tether, an aromantic, touch-hungry, skin-averse, heterophysical, sex-repulsed asexual who undergoes violence-hunger cycles in accordance with lunar cycles, peaking at the new moon. She gets paired with some guy called Knife, who as far as I can tell is a fairly vanilla heterosexual guy somewhere on the aspie spectrum, with a nearly eidetic memory and somewhat decentralized cognition. Who may also be a high-functioning sociopath.

I have no idea where my brain is going with this, but I suspect they fight crime.


Oct. 3rd, 2011 02:35 pm
magistrate: The arc of the Earth in dark space. (Default)
If I were to be any sort of spiritual teacher, the one I'd find most honoring would be a master on the ordeal path.

Though my definition of an ordeal is broader than the one at the article linked. A quick sketch of my definition would be: an ordeal is something that frightens or challenges you in a real, meaningful way, which you go through anyway.

This comes up in a variety of ways in my conversations: as a fiction kink, as a sacred qualia. One of the character archetypes that stays with me the most is someone who drags another person through something which the other person wouldn't have attempted or possibly made it through on their own, and that person is the better for traversing it. It resonates with me.

And there are other things that stay with me, too – like how one of the people I love told me, before I was off to do something that terrified me, I promise you, you can survive this.

But before I could even consider setting myself up as an ordeal master or an ordeal guide, I looked at myself and realized that I had better know the experience inside and out. And to do that, I've been putting myself through ordeals – and they're often little, quotidian things, unimpressive things, but they're still things that frighten me. It can be as simple as dealing with my dislike of phones and confrontation to call a place to dispute a charge or cancel an account, or as common as setting up a dental appointment and dealing with the discomfort and pain, or as nonthreatening but god, I don't want to do this right now as cleaning a room in the house. (Even writing this is an ordeal, in a way – not so much the writing but the posting and leaving for people to see.) I have boatloads of small anxieties, ranging from talking to strangers to driving on my own, and one by one, I'm working through them. And I'll keep working through them until I've mastered them and am no longer afraid or averse.

There have been a couple of times recently when I've made myself proud, too. Frex: I went to Seattle to visit my brother, in early September, and one day he had to work and I was left pretty much on my own. I can't describe how much I wanted to just stay in the house and do nothing, not have to interact with an unfamiliar city or with being on my own, but I made myself get out. I walked through unfamiliar neighborhoods to a bank to get cash for the day, and then walked to the water taxi and took it downtown. I had lunch on my own. I went on a harbor tour of Elliot Bay. And when that was over and I'd gone back to the West Seattle water taxi terminal, I took off my shoes and dipped my bare feet in the waters washing in from the Pacific.

Or there was the time this weekend when I drove myself out of the city and up to the Macbride Nature Recreation Area, and participated in a wilderness survival camping experience. I shouldered a heavy pack and kept pace with the group, all of whom were, I suspect, more in shape than I was. I helped start a fire without matches, and made my own shelter out of debris and a tarp. I slept in the cold and woke up sore and tired and helped tear down the camp and bring water up from the reservoir and douse the fire, and I shouldered my pack and kept pace out of there.

And to a lot of people, those would be little things. Not even a challenge. But years of being sick and dealing with low blood pressure and syncope have taught me not to trust my body, and a lifetime of mis-interpreting people, relationships and society (because human interactions are so often just alien to me) have taught me not to trust my ability to deal with others, and so many other things have taught me not to trust so many other aspects of myself that challenging one thing and defeating that one thing is a victory I hold close. Any scrap of confidence I can knap from the world is a trophy.

And there are some fears I've mastered – submitting short stories to market was one. (I still remember how terrified I was the first time.) There are fears I'm working on but slowly overcoming, like driving and talking to fiction editors. And there are fears that still kick my ass, like dealing with dysphoria and gender and society, or striking up conversations with people I don't know well, or managing savings and feeling capable of getting back on my feet in the event that I should lose my job.

But I'm going to face them. With work, I'm going to conquer them. Because I value strength and resilience, and I intend like hell to follow this path where it leads me.
magistrate: The arc of the Earth in dark space. (Default)
I'm asexual, though panphysical, and largely aromantic. I mistrust external significations made on relationships. I'm polyamorous, though I love slowly; I reserve judgment, I reserve trust, I'm not great at communicating my emotions to anyone, and I tend to dissect them interminably before going out and saying I have them. I dislike courting, I dislike the romantic ideals of love as a conqueror of all things or a supreme ideal to which all other ideals should or must be subjugated. I'm not interested in laying an exclusive claim on anyone, or letting anyone lay an exclusive claim on me. I don't believe that, having realized you love one person, the natural result should be that you cease to love all others. I don't think formalizing a relationship in the eyes of other people changes the truth of the relationship between the people in it. I don't think a relationship needs to be defined, formalized, or recognized, in order to be valid or profound.

I'm also, as of the 26th of December, engaged.

I'll understand if you have some questions.

In the light of all that, what's /left/ for marriage to signify? )

[ETA] Also there's the matter where I love L very much, but, uh, that was supposed to go without saying?

[ETA 2: Son Of ETA] Cepheid variables, I am bad at this.
magistrate: The arc of the Earth in dark space. (Default)
Because I'm curious, and because I really want to see how much of a range exists in the answers. I don't need long rambles, though I'll read them; first-thing-you-think-of answers are great, too.

Try answering without looking at anyone else's answers, first.

1) How would you define a close/deep friendship?

2) What markers do you take to indicate that you're in a close/deep friendship?

3) What would you do in order to form a close/deep friendship?

[ETA] Part of the reason I'm curious is that I imagine it's radically different for a lot of people. I was struck by a quote in this book I'm reading: "Mary is so confused by the world of emotion that she could be your best friend and never know it." And it got me thinking that how we telegraph friendship is not always obvious.
magistrate: The arc of the Earth in dark space. (Default)
This was hard to write, and even harder to post. Harder still to post publicly. Still, here it is – after having sat in my drafts folder for about four months, but thrown to the world at last.


In an effort to help people understand privilege, its forms and complexities, I'm going to use myself as a case study. I'm going to examine a lot of the ways privilege affects my life, positively and negatively. So, while I will be pointing out ways in which I'm disadvantaged, I'm also going to try to own up to a lot of my own privilege, because it's really not a simple thing. You can be privileged in one way and disprivileged in another.

This isn't meant to be comprehensive or exhaustive. It's meant to provide a few glimpses into things people might not otherwise think about, especially with regards to the difference between who and what you are and what privilege you are accorded. It's beginning to unpack the invisible knapsack, but it's not finishing it.

It's a starting point, which will hopefully get people thinking.

So let's start.

Privilege I have

Read more... )

Privilege I sometimes have

Read more... )

Privilege I don't have

Read more... )

Special notes

Privilege is not universally desirable. One of the things that seems to tag along with male privilege is the privilege to be intimidating. While this is useful in warding off some types of harassment, it can be very unsettling when invoked accidentally. When I used to walk home alone while my city was having its big, well-reported problem with people being sexually assaulted walking around after dark, I'd occasionally find myself walking down the same stretch of road, presenting as male, to all appearances following a solitary female pedestrian. As someone who doesn't want to come across as threatening to innocents, this was not a comfortable space to be in.

Privilege is not universally bad. In a lot of cases, the effects of privilege aren't things people should feel guilty for experiencing. The problem arises when they're privileges and not rights - the privilege to escape harassment, for example, is a privilege because it's a right which is denied to people like women, transgendered persons, poor persons. etc. The privilege to be taken seriously by doctors is a right which is often denied to fat people and people of color.

Passing is a way of accessing privilege. If I pass for male, I access aspects of male privilege. If someone passes for white, they access aspects of white privilege. This can happen involuntarily as well as voluntarily, and someone can be passed as well as passing. One example of this is a person of color who's granted "honorary whiteness" by their friends - their friends will stop noticing that they're a person of color, even to the point where they'll have a moment of "Huh, they are" when it's brought up. Another example is a person with a mixed ethnic background who appears white enough that people assume they are white.

Privilege is multifaceted. Even at its most simplistic, we can split it into two parts which have to be evaluated separately: the personal, what one experiences, and the social, what one is accorded. This is how someone with severe gender dysphoria who nonetheless passes for their assigned gender can both experience and lose cisgender privilege; feeling comfortable with one's own body and expected social roles is a cisgender privilege which they have lost, while the ability to exist and function in society without being harassed on the basis of their gender is one they maintain.
magistrate: The arc of the Earth in dark space. (Default)
How many people are socialized into a position where they feel that they have to survive on the scraps of affection left over from other people's "real" relationships?

What are ways of repairing this (broken) social schema?


magistrate: The arc of the Earth in dark space. (Default)

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