magistrate: The arc of the Earth in dark space. (Default)
Somehow, I got into a hole where I just keep listening to songs set to the tune of "A Modern Major-General". I'm pretty sure the Elements Song is to blame:

...but that transitioned quickly into "Every Major's Terrible":

Which I really want to memorize, some day. Well, I want to memorize both of these, really. ("And iodine and thorium and thulium and thallium" is too much fun to say. Try it!)

So, I finally decided to look up the actual song, as it's been a long time since I've heard it, and that led me to this video:

And now, despite not remembering enough of the new Star Wars movies to even remember who Grievous is, I want to see fic based on this vid where he and young Obi-Wan are goofy buddy movie partners. Challenging each other to singing and swashbuckling contests.


...I'm sure there's a lesson I could draw out of the Tom Lehrer video; you can see that he stumbles on "molybdenum" a little (and really, wouldn't you?), but he doesn't get hung up on it; he just sweeps it behind him and moves on. Good life lesson. Which I will not be making any more eloquent than that.

And with that, good night.
magistrate: The arc of the Earth in dark space. (Default)
I need to keel over and go to sleep soon, so I'll answer a couple of short questions.

[personal profile] thebaconfat: What is the weirdest file currently on your computer (that you didn't create yourself)?

...I am not sure I can answer this! I don't keep track of that many files I haven't created, as I assume that most of them are things like application config files and stuff. If stuff I've downloaded doesn't count as stuff I've created, I... still am not sure. But I do have a version of "Down Under" sung by a bunch of potentially-drunk Russians.

[personal profile] squeemu: What is the weirdest file currently on your computer that you did create?

I once discovered a file named temp.rtf in one of my fiction draft folders which consisted of 2391 words of Lorem Ipsum, closed with the line "And as it turned out, THEY WERE ALL BEES!!"

This post has been brought to you as a service of the December Posting Meme.
magistrate: The arc of the Earth in dark space. (Default)
So, Demonology! It's this universe I want to write in. Specifically, it's a universe I want to experiment with free fiction in. If you want to leave me prompts for the themes below, or questions which can be answered in prompts for the themes below, you go right ahead! The idea here is to get me writing.

I'll link the prompts below to their completed stories as I finish them, and add a (...) to ones whose fills I'm working on.

This is a table. It's a magical table. )
magistrate: The arc of the Earth in dark space. (Default)
So... I'm not in a great financial situation, right now. Unemployment that's dragging on longer than I'd like (though, really, any time at all is longer than I'd like), issues with the startup I left never generating revenue enough to pay me some of my wages, living in California, etc. I'm searching for a job, and I'm getting some pretty excellent interviews, but nothing's really taken, yet; I'm also doing freelance work, writing content, and looking into other ways of generating income on my own.

But. All of this takes energy, and motivation, and unemployment seems designed to sap both. So I've developed a framework to help move me through.

Gods made to order, psychological and aspirational trickery, and the point of this post. )

And, for my own reference, an actual list of charities:

We here in Vault City LOVE making lists. )
magistrate: The arc of the Earth in dark space. (Default)
So let's talk about Rust City.

Rust City began as a thought experiment as to whether or not I could write something Bizarro. (The verdict is: I couldn't. The closest I've ever come is probably The Relative Densities of Seawater and Blood, and it's not very bizarre, compared to anything, say, Carlton Mellick III has ever written. I think that in order to write Bizarro, you have to have the abilites (1)Not to take yourself so damn seriously, and (2)Let go of the need to explain or at least justify everything, and I score pretty badly on those rubrics.)

The story follows Ferro, a man with a condition that's given him the primary sex characteristics of an standard XX physiology but a standard set of XY secondary sex characteristics. He falls in with a pair of cousins named Wolf and Sela, who may or may not be genetically-engineered remnants of the war that screwed up the entire planet, either decades or centuries ago.

The full title of the project is Rust City (a love story), though I remain unsure of what the love story actually is. (Wolf and Sela have an extremely broken familial relationship they both want fixed but don't know how to fix, Wolf and Ferro sleep together, Ferro is fascinated and stalked by Sela, and for all this time Ferro is crushing on a woman named Kyoto who has burn scars covering most of her chest. There's a lot of thematic body stuff going on here, and it's all kind of a mess.)

Also, there are molemen, which aren't actually molemen. They're more like some kind of cavefish-esque offshoot of Homo sapiens who live in the old (but expanded) sewer system beneath the city. (I'm not sure that's better.) They communicate with Ferro by exploiting a trick of his synaesthesia – yes, Ferro also has synaesthesia, as well as hypertactility and haptophilia – which also has a tinge of the supernatural to it.

It's resisting being written, for the most part, because I honestly have no idea where it's going or why half the stuff is happening. You know, conventional wisdom says that you should have your story worked out before you start writing it. At least you should know what the major players and motivations will be. Possibly have some understanding of the plot. That's just not how I roll; I tend to slap stuff that sounds pretty on a page and hope that eventually my brain will start supplying all the connective tissue, musculature, and skeletal structure. Sometimes in that order.

But I wrote a slim 655 words on it last night, and now I'm sharing an excerpt with you!

He felt himself sailing down, through the floor, drawn toward the molten center of the world, but before he could come anywhere near it he was caught in a noise like spidersilk. It wrapped around him, twining through his pores in a rhythm like words.

They were words. Maybe not in a classical sense, but something intelligible without being sound. Something like,


And then, by more voices, closer to his skin,

(brightseer, sunfucker)

(up him)



[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop which has supported real live Bizarro authors! And many, many others.]
magistrate: The arc of the Earth in dark space. (Default)
If you wanted to count the combined wordcounts of everything I've worked on since the start of the Write-a-thon, we'd be up to 624 now! If you wanted to count the actual words I've written since the start, we'd be at... something more like 87.

Neither of these are particularly inspiring numbers, but I'll take them, because they're greater than 0.

Today's 87 words went to The Angel at the Gate, a story inspired by a YouTube video of Silent Hill: Homecoming, the long-completed webcomic 1/0, and thinking about Biblical cherubs. Naturally, the story is about a group of friends who were tossed out of another world after fighting for and saving it as destined heroes, and who find themselves unable to leave the city they've been thrown into because there's a supernatural phenomenon which blocks their way out.

(They name the phenomenon Azrael. Who was not a cherub, if you were wondering.)

Long story short, my fiction rarely bears any resemblance to its inspiration, so I hope the preceding explanation made no sense to you.


...hey, who wants an excerpt!

I look up to see Zeph straddling the peak of the roof, nailing down siding, and the arc of the hammer in his hand takes my breath away. It doesn't take long for him to look down and see me, loitering in the middle of the road.

I sign, Remember the flight to the burning cathedral? Your sword scattered the sunlight and gave you wings.

Zeph grins and hefts the hammer, then sees something in my face and sets it down. And he signs back, with emphasis on every word:

Don't. Start. Crying. Here.

[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop that allows its students to create quality work like mine! Except often better, and coherent.]
magistrate: The arc of the Earth in dark space. (Default)
...meanwhile, my brain is giving me someone named Tether, an aromantic, touch-hungry, skin-averse, heterophysical, sex-repulsed asexual who undergoes violence-hunger cycles in accordance with lunar cycles, peaking at the new moon. She gets paired with some guy called Knife, who as far as I can tell is a fairly vanilla heterosexual guy somewhere on the aspie spectrum, with a nearly eidetic memory and somewhat decentralized cognition. Who may also be a high-functioning sociopath.

I have no idea where my brain is going with this, but I suspect they fight crime.
magistrate: The arc of the Earth in dark space. (Default)
I had this post roughly sketched out in the back of my head, but then my week got all crazy, my basement flooded, and I got sidetracked by writing about space elevators and hydroponic roses, so here's the distilled essence of the Post That Never Was:

Anna Hazare is awesome. You should all take a look at "Escaping Poverty: The Ralegan Siddhi case," and then we should all get started on sensible watershed development here. And everywhere. Though possibly Iowa City needs a different sort of watershed development program than Ralegan Siddhi needed, given Iowa City's aggravating tendency to either flood the Arts Campus or flood my basement.


Oct. 5th, 2011 07:38 am
magistrate: The arc of the Earth in dark space. (Default)
You know, I'm agnostic-skeptic when it comes to omens and signs. I think most of the weird coincidences we see are just coincidences, and not actually that weird. It's just that we notice them, and the billions of tiny co-occurrences that don't hold any special similarity go unnoticed because there's no reason to give them any attention. "I wrote a blog post about gluten-free desserts, and then I turned on the radio... and there was a story about an embassy bombing!" ...okay? That sort of stuff happens all the time, with overwhelming frequency, yet it's always the "I was thinking about quitting my job, and a copy of the newspaper classifieds blew onto the sidewalk in front of me!" events that get all the attention. "What are the odds!" As it turns out, just what it took for the event to happen, and all the dreg is still there in your peripheral vision.

But, you know, that doesn't stop me from going after the "signs" and "omens" that do crop up in my life. It's a magical-consciousness thing.

By which I mean: in my low-key, homegrown magical practice, a big central philosophy is bricolage: "to make creative and resourceful use of whatever materials are at hand (regardless of their original purpose)". So when I write a post about being afraid to move forward and then the next day I wake up to a Live Your Legend mailinglist email about how the biggest threat to your success is quitting, and once you get that under control, all the other risks are small potatoes, I still interpret it as basically a message from $god*.

*Here I'm using the PHP variable syntax – $variable_name – to indicate, basically, "god-of-choice". God is another thing I'm both faithful and agnostic on.

And that's because I've taught myself to glean meaning and inspiration from things. Meaning, motivation, inspiration, and direction are things I need in my life, and I know that I sometimes have to be creative in fulfilling those needs. So when I see a coincidence that I can use to feed into my motivation – in this case, it's a "sign from the universe not to give up" – the framework of my thinking goes something like this:

Something called itself to my attention. => Is there meaning I can ascribe to this? => Is the potential meaning helpful or harmful? Can I interpret it in a way that makes it helpful? => If it's helpful, DUDE! It's an OMEN! If it's harmful, whoo, look at that, it's another wacky coincidence, and I go on my way.

This is a pretty blatant logical fallacy, of course – it's the same sort of thinking that contextualizes a misfortune that happens to someone of $x_particular_faith as a "test of faith" and an identical misfortune that happens to anyone else as a sign of $god's displeasure. But I'd rather look at it as a mindhack. Yeah, it's spurious and completely arbitrary, but I'm aware of it and can watchdog it so its net effect on my life is positive and it doesn't harm anyone else. I can glean a spot of inspiration from my own coincidences, and if I ever come across an arrangement of rocks in a stream that seems to spell out KILL THEM ALL, I'll take a picture and share it on Twitter with a note about how wacky patterns in nature can be.
magistrate: The arc of the Earth in dark space. (Default)
Yesterday's xkcd had an interesting challenge in its mouseover-text.

Wikipedia trivia: if you take any article, click on the first link in the article text not in parentheses or italics, and then repeat, you will eventually end up at "Philosophy".

So far, I've tried it with Spark Plugs, Banana Slugs, My Little Pony: Friendship Is Magic, Chuck Palahniuk, Infantry, Carnarvon (Western Australia), and Fatal Hilarity. It all works. Usually inside of twenty-thirty clicks. After doing this long enough, you begin to see certain patterns and get a feel for when you're getting close to the Philosophy goal. For example, once you hit Natural Science or Social Science, you know there's no escape.

I think it has everything to do with the format of defining everything in more-general terms. So you can start with something that seems entirely unrelated to anything philosophical like Vilii, a "type of yoghurt (a mesophilic fermented milk) that originated in the Nordic countries," with a "ropey, gelatinous consistency and a sour taste resulting from lactic acid," but Viili is a kind of yoghurt, which sends you on through dairy product » food » plant » living (and here you start thinking, uh-oh, we're on the track for philosophy) » objects » physics (and here, the physics link is marked as already visited; you end up at physics in a lot of the paths) » natural science (remember how I said there was no escape?) » science » knowledge » facts » information, sequence, mathematics (admittedly, once you get onto the "information" leg, it does circle around a little), quantity, property, modern philosophy (uh-oh), and finally, philosophy.

There's already a significant amount of talk on the phenomenon on the Philosophy "Talk" page. People have found articles that put you into an infinite loop (as of this writing "understatement" was the first qualifying link in the Ernest Hemmingway article, and the first qualifying link in the understatement article was "Ernest Hemmingway"), but it seems to hold true for the majority of articles people have tested.

So, there's your random minor mindblow for the day.
magistrate: The arc of the Earth in dark space. (Default)
I'm asexual, though panphysical, and largely aromantic. I mistrust external significations made on relationships. I'm polyamorous, though I love slowly; I reserve judgment, I reserve trust, I'm not great at communicating my emotions to anyone, and I tend to dissect them interminably before going out and saying I have them. I dislike courting, I dislike the romantic ideals of love as a conqueror of all things or a supreme ideal to which all other ideals should or must be subjugated. I'm not interested in laying an exclusive claim on anyone, or letting anyone lay an exclusive claim on me. I don't believe that, having realized you love one person, the natural result should be that you cease to love all others. I don't think formalizing a relationship in the eyes of other people changes the truth of the relationship between the people in it. I don't think a relationship needs to be defined, formalized, or recognized, in order to be valid or profound.

I'm also, as of the 26th of December, engaged.

I'll understand if you have some questions.

In the light of all that, what's /left/ for marriage to signify? )

[ETA] Also there's the matter where I love L very much, but, uh, that was supposed to go without saying?

[ETA 2: Son Of ETA] Cepheid variables, I am bad at this.
magistrate: The arc of the Earth in dark space. (Default)
Anyone who thinks that farming humans for meat would be a viable food source in a post-apocalyptic world fails agriculture and economics forever.


magistrate: The arc of the Earth in dark space. (Default)

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