magistrate: The arc of the Earth in dark space. (Default)
Scrivener wordcounts. My RDR2 project is at 236,607 words, and my D:BH project is at 236,505.


A while ago, I accidentally* started on a Detroit: Become Human reboot-style AU (which I cleverly titled Detroit: Reboot), which project I think only [personal profile] rionaleonhart actually knows anything about, and [personal profile] storyinmypocket and [personal profile] sholio may have heard me mention off and on. Anyway, it ballooned to ridiculous size in ways I don't fully understand, and then I got distracted by other things.

*I accidentally 2.9 MB of fanfiction... is this dangerous?

Primary among those other things was a Red Dead Redemption 2 fic which I thought I could knock out in 30-40k (HA... HA HA... Ha ha hah haaaaaaaugh... •sob•), which, as you may have guessed if you know me, I was not able to complete in 30-40k.

Anyway, I didn't notice this last night when I was finishing up my writing and heading for bed, but my unfinished RDR2 fic finally exceeded the length of my unfinished D:BH fic! I wasn't actually sure that would ever happen. Also: what the fuck.

(For the record, the "of 300,000" is not an actual aspirational goal. 300,000 words was a placeholder I put in because I like seeing the progress bar go up, and if you meet the goal, it just stays full and green and there's no visible progress. I figured that 300,000 was a nice, safe, high number that I would not actually ever reach. I am now figuring that I'm probably going to have to change it on one or both of these projects if I want to keep watching the bar move.)
magistrate: The arc of the Earth in dark space. (Default)
A while ago, I watched Markiplier play Presentable Liberty, which is quite possibly the worst-constructed game I've ever seen. The graphics are (I think intentionally) terrible, the sound design is generic at best, the writing is clunky and heavy-handed, the gameplay looks excruciating (and is at times so incredibly boring that Markiplier just cuts it out of the video entirely), the plot is entirely composed of plotholes (which the game mechanics actively make worse) and hackneyed, obvious tropes, and...

...and despite all of this, Markiplier finds it – and I find it, watching Markiplier – an inescapably affecting experience.

So anyway, a bit ago, I followed [personal profile] rionaleonhart into Detroit: Become Human fandom-adjacency, because Riona is an excellent person to vicariously experience fandoms through. And... okay, Detroit: Become Human is not as bad as Presentable Liberty. Or possibly it's worse, because it reaches higher and thus has farther to fall.

Unlike Presentable Liberty, it's extremely well-executed. The graphics are good, the acting is good, the branching decision trees and their effects on the narrative are ambitious (though the game still looks extremely railroady at points), the soundtracks – three soundtracks, one for each playable character – are utterly gorgeous, the characters are frequently engaging, the environments are frequently lovely, much of the scene choreography is captivating and moving, the script... has numerous, numerous issues, but also frequent sparks of excellence, and...

Aaand the plot is made of plotholes, and structured upon a thematic scaffold which pokes through the skin of the story like a horrifically broken set of bones, in a way that's really quite excruciating to see.

If you don't see where this is going, you may lack familiarity with my fandom habits. )

All in all, Detroit: Become Human is a game which raises fascinating questions, then fails to answer any of them. And then attempts to engage with questions which its worldbuilding consistently fails to support. I hate it, I love it, I desperately wish it were better, and because I am me and potentia is potentia, I seem to have been bitten hard by the braintic bug. Goddamnit.

...but that may be an entirely separate post.
magistrate: The arc of the Earth in dark space. (Default)


Ran across this in my Twitter reading today. Made me stop and raise an eyebrow. Because, really – "grim" and "bleak" are the descriptors they've chosen to entice me to see this film? (Well, there's also "incredible", but that gives me little insight into what sets this film apart, and thus does little to capture my interest.)

Now, possibly I just haven't read widely enough in the genre to realize that there's a strong undercurrent of happy, lush, uplifting post-apocalyptic fiction out there. Something like that. But to me, grim, bleak landscapes aren't exactly the aspects of a post-apocalyptic work you need to advertise – they're more or less to be expected from the genre. Advertising those, especially when you have a medium such as Twitter and have to seriously consider which few, precious words you're going to use, makes it sound to me like you just don't have anything more interesting to say than "This work competently executes the tropes it's expected to." It's the "square house, door in front" of the review world.

...which all basically means that, in a fit of pique, I have decided that I want beautifully optimistic post-apocalyptic fiction to exist. If someone else doesn't write it, I may have to.

(It's not even that I dislike grimdark post-apoc. I do enjoy it, when it's done well. But sometimes you just have to go for the subversions.)
magistrate: The arc of the Earth in dark space. (Default)
Finally got around to making carrot soup tonight, which was a process which started quite some time ago when I came home with ~2 pounds of carrots and a white onion, which progressed through soaking some chickpeas and then simmering them with a sprig of rosemary, and which culminated in me staring at this recipe for a while, then going "Fuck it" and making something up as I went along.

FUCK YOU I'M A CAT, basically. Except I'm only metaphorically a cat. Because cats don't cook. They have people to do that for them. )

Arrgh.

Nov. 16th, 2010 07:44 am
magistrate: The arc of the Earth in dark space. (Default)
Well, now Wells Fargo has changed its tune and said that the money they were just holding for a stupidly long time isn't going to hit my account at all, and furthermore that they're charging me $12 for being yanked around.

RAPTUROUS JOY.

Fucking Wells Fargo. There has to be a way to just do everything through ING Direct.

>:|

Nov. 15th, 2010 08:52 am
magistrate: The arc of the Earth in dark space. (Default)
So on occasion, when you deposit a check at Wells Fargo on some reasonable day like a Wednesday, the deposited amount will show up in your account on Thursday or Friday, stay there over the weekend, and then abruptly disappear on Monday for no reason you can discern from their online interface, and when you call up their 24-hour information line, an automated voice will inform you that it's being "held for verification" and will be available eight days later.

...

Fail, Wells Fargo. Hard fail.

At least I vaguely suspected something like this might happen and didn't touch the money just in case, but really, when you find yourself building the expectation that your bank is going to jerk you around into your routine...

[ETA] To be fair, I wouldn't blame them for holding it for verification, as this is a check I redeposited because it bounced the first time. It's the letting it hit my account for half a week and THEN pulling the funds that pisses me off.
magistrate: The arc of the Earth in dark space. (Default)
LiveJournal, for reasons known only to them, has begun stripping out any inline styles written into a tag using the style="" attribute.

This one really has me frothing at the mouth, partly because the RP I'm in (and have been for the better part of three years has always been a place to explore a lot of different modes of storytelling, and those modes extend to things like hiding easter eggs (links and whitetext) in the tags, playing with formatting to represent the mental state of characters, coding certain types of psychic activity to certain colors... even things as simple as letting a character scribble out what they've written. Basically, we've enjoyed playing with hypertext as a medium. The internet makes something that's only beginning to show its head in traditional literature (see, for example: House of Leaves) accessible, and it's been a great deal of fun channelling our assembled creativity into this.

Now, that's rendered impossible. Worse, the work we've already done has also been stripped of its styling. In some cases, the tags have degraded gracefully. In others, they've been rendered almost unreadable.

I've set up a side-by-side comparison of the styled and unstyled tags here: http://adravet.net/misc/btr_misc/stripped_css.html, and I've started a support ticket here: http://www.livejournal.com/support/see_request.bml?id=1173954& as well as brought it up on a news post here: http://news.livejournal.com/130727.html?thread=91337895 .

I hope that this is a bug; or, if it was a deliberate choice on the part of the developers, that they can be persuaded to reverse it. For a service which advertises itself as a place to express yourself, this is a very disheartening occurrence.

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