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I made a bingo generator!

...okay, this is nothing which does not already exist on the internet, but I was bored and I wanted to build it. I plan on adding functionality that will pre-load lists of things like tropes, kinks, genres, dramatic situations, etc; problem is, first I have to generate those lists, or find someone who's already generated them who'll let me use them. XD

At some point, I may also add support for 3x3, 7x7, even 9x9 grids, and other fancy stuff like that. Maybe even styling. In the mean time, if you find yourself desperately needing a Bingo card this Holiday season and unwilling to google a generator, here you go! Let me know if you see any bugs. ;)

[ETA] And then I made a nice comma-separated list of These classic dramatic situations, which I don't really see a lot of people using, but which could be used! Mostly as a proof of concept. But, you know, concept proved!
magistrate: The arc of the Earth in dark space. (Default)
Yesterday, I had to walk to the Staples that's a few big blocks away, so that I could get things which would let me mail out important documents and holiday gifts. I wore my usual – a long-sleeve button-down shirt, with black jeans – and it was a bit cool, so I threw on a windbreaker.

Within a block I realized that I was overheating, so I took off the windbreaker.

Because this may be late December, but I am in California, and the terrible horrible frigid ice-hell of winter has not found me here.

...

Man, I kinda want to do one of those "year in review" things for 2013, because frankly, I feel like I deserve a medal for surviving this year with my sanity and shaded-cynical optimism intact. But I also feel like if I do that before the end of the year, 2013 will find some way to punish me for thinking it's over.

It's almost over. And I am going to drink hot tea out of my adorable 3-oz ceramic cups, and I am going to cherish the things and the people who got me through this year. And I am going to continue patiently laying groundwork to make tomorrow better than today.

And then I'm going to take a deep breath and work on my Yuletide story again, even though it scares me.
magistrate: The arc of the Earth in dark space. (Default)

As an exercise, to try to ease my brain up out of its months-long stress-induced no-writing slump, I sat down and copied out the first sentence (or two; the first lines of If The Mountain Comes really don't work if you only take the first sentence) of all the short stories I've had published in various markets, and then grouped them by whether I (personally) thought they were engaging or not.

 

Read more... )

In any case, it's something I don't think I'd really sat down to examine in any depth before, so now I can say I've done that.  And hopefully have a better sense of how this particular mechanic works in the stories I write in the future.

magistrate: The arc of the Earth in dark space. (Default)
So... I'm not in a great financial situation, right now. Unemployment that's dragging on longer than I'd like (though, really, any time at all is longer than I'd like), issues with the startup I left never generating revenue enough to pay me some of my wages, living in California, etc. I'm searching for a job, and I'm getting some pretty excellent interviews, but nothing's really taken, yet; I'm also doing freelance work, writing content, and looking into other ways of generating income on my own.

But. All of this takes energy, and motivation, and unemployment seems designed to sap both. So I've developed a framework to help move me through.

Gods made to order, psychological and aspirational trickery, and the point of this post. )

And, for my own reference, an actual list of charities:

We here in Vault City LOVE making lists. )
magistrate: The arc of the Earth in dark space. (Default)
Trauma is a surgical disease. It is cured with bright lights and cold steel.


I can't remember where, when, or how I first came across a series of posts on Making Light called Trauma and You, but I am forever glad I did.

Trauma and You, despite its CYA-ish disclaimer (I am not a physician. I can neither diagnose nor prescribe. These posts are presented for entertainment purposes only. Nothing here is meant to be advice for your particular condition or situation.) does a pretty good job of walking you through a trauma scene – what you're going to see, what's going on behind the scenes (or under the skin), and what you should be doing about it. It provides mnemonics, statistics, and instructions, and if you're the kind of person who likes doing terrible things to your characters and having them patch themselves or each other up, it's a really great reference on how they should be going about that "patching up" thing.

But I think half the reason I keep coming back to it is that, even though some of the medical conditions described are enough to make your skin crawl (there was a meta-blog post elsewhere on the site, wherein one of the posters summed up the author's usual contributions as Long, bloodcurdlingly detailed advice from James D. Macdonald about what to do in event of some dire emergency (heart stops, house floods, leg falls off, children attacked by whale, etc.) Posters stunned into silence. Long, contemplative pause as commenters look thoughtfully at own houses, children, legs, etc. Timid, Piglet-like question. Terrifyingly learned and hope-destroying reply.), the post is often just fun, in a snappy, sardonic, and... occasionally hope-destroying way. Because you get advice like the ever-quotable [...]make sure the scene is safe. There is something over there that munches people. You are a people. Don’t get munched yourself. If you do get munched what you’ve accomplished is this: you’ve incremented the patient count by one and simultaneously you’ve decreased the responder count by one. On a scale from good to bad this is bad. Or the sheer pragmatism of When you’re dealing with trauma, your life is pretty easy. You have 1) Things that’ll kill your patient in the next five minutes, 2) Things that’ll kill your patient in the next hour, 3) Things that’ll kill your patient today, and 4) Things that you don’t really care about.

Trauma and You is broken up into five informative posts, with a couple of Final Exams at the end:

  1. The Basics. So, what’s trauma? It’s the physical world impinging on your tender body. Not to be confused with biology happening (in the form of bugs and germs), or chemicals (poisons, overdoses) happening, or your body breaking down and wearing out and going mysteriously wrong. No, this is more the Force of Gravity sort of stuff.

  2. Shock. Now it’s time to have our little chat about shock. Shock is what kills people. Shock, dear friends, is what will eventually kill you, personally. The only question will be how you got into shock to start with.

  3. Sticks and Stones. You can have a lot of fun memorizing bone names. (For example, the mnemonic for the bones in the wrist is “Some Lovers Try Positions That They Can’t Handle” for Scaphoid, Lunate, Triquetium, Pisiform, Trapezium, Trapezoid, Capitate, Hamate. (You can have even more fun memorizing the names and functions of the twelve cranial nerves, but that’s for another post.)

  4. The Squishy Bits. When crush injuries were first identified (in the trenches of WWI and the London Blitz of WWII) they ran around 90% fatal. Nowadays with fast and efficient EMS they’re down to 50% fatal.

  5. Burns. The amount of smoke inhaled is the number one predictor of mortality in burn injuries, way ahead of the age of the patient or the surface area of the burn. Continue to be suspicious with someone who has escaped from a fire. Sometimes the symptoms of smoke inhalation don’t appear for hours or days.


While I usually have to consult additional resources for various fictional traumas – like this shockingly relevant article on gunshot wounds to the chest, one of my major pieces of research for Misfire – and while I have no illusions that I get everything right when I do write about trauma, the Trauma and You series is almost always my first click, and I know there's a level of verisimilitude in my writing that wouldn't be there without it. Highly recommended.

Also highly recommended: a strong stomach when it comes to various traumatic medical things. Like amputation. And degloving.

Seriously, though, I could have gone my entire life without learning about degloving.

(Crossposted to my fandom journal.)
magistrate: The arc of the Earth in dark space. (Default)
Finally got around to making carrot soup tonight, which was a process which started quite some time ago when I came home with ~2 pounds of carrots and a white onion, which progressed through soaking some chickpeas and then simmering them with a sprig of rosemary, and which culminated in me staring at this recipe for a while, then going "Fuck it" and making something up as I went along.

FUCK YOU I'M A CAT, basically. Except I'm only metaphorically a cat. Because cats don't cook. They have people to do that for them. )
magistrate: The arc of the Earth in dark space. (Default)
I like to personify my brain, partially as an Elizabeth Gilbert-esque control on getting too much ego tied up in things but mostly because it makes it easier to blame things on an entity external to myself. Like this, for example: if there is a choice between buckling down and working on one of the many, many concepts/story scraps I have lying around or coming up with a shiny new concept – usually novel-length, but not always – then it will take the "shiny new concept" option 11 times out of 10.

Anyway, it tossed me what may or may not be an urban fantasy Noir about a freelance detective gal who gets commissioned for some enigmatic person named North, and ends up having to navigate her own undeath. As well as her life, one universe over. And the one may not be more complicated than the other.

Here's the beginning my brain handed me:

I knew I was digging myself into it when I signed the contract. It's not like I couldn't see it coming; on the highway of life, this was the lane with the orange cones and the lit-up roadside sign saying THE BRIDGE IS OUT and the police lights and the oily smoke coming up. But, you know, if I'd had another option, I wouldn't have taken this one.

That's the way it always is.


I've also worked more on Rust City. You know, when I started it, I was pretty sure it would be a novella – but then it just kept growing. I only have about 8k words in it now, but given the way I structure things and how the scope is expanding (the love-fascination-need-triangle is now more of a connect-the-dots), I'd be surprised if the finished draft clocked in under 70 or 80k. Y'know, if it ever fights its way through the shiny new upstarts.

It's a wonder I've ever finished anything.

He drew up beside her. She was framed in the gristle of the building, the rebar and wire and crumbled cement like a nest around her. Across the city blocks, the Moonlit moon was glowing. Its light was softened by the distance, and softened Sela's face.

"You smell like him," Sela said.

Ferro looked at her, then ducked his head. Hoped that what he was about to say would be permissible. "How do you know what he smells like?"

Sela glanced at him askance. "You have to remember which one of us is the dog," she said.


[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop which failed to teach me the fine art of controlling my wordcounts, but which did teach me many and varied other valuable things.]
magistrate: The arc of the Earth in dark space. (Default)
So let's talk about Rust City.

Rust City began as a thought experiment as to whether or not I could write something Bizarro. (The verdict is: I couldn't. The closest I've ever come is probably The Relative Densities of Seawater and Blood, and it's not very bizarre, compared to anything, say, Carlton Mellick III has ever written. I think that in order to write Bizarro, you have to have the abilites (1)Not to take yourself so damn seriously, and (2)Let go of the need to explain or at least justify everything, and I score pretty badly on those rubrics.)

The story follows Ferro, a man with a condition that's given him the primary sex characteristics of an standard XX physiology but a standard set of XY secondary sex characteristics. He falls in with a pair of cousins named Wolf and Sela, who may or may not be genetically-engineered remnants of the war that screwed up the entire planet, either decades or centuries ago.

The full title of the project is Rust City (a love story), though I remain unsure of what the love story actually is. (Wolf and Sela have an extremely broken familial relationship they both want fixed but don't know how to fix, Wolf and Ferro sleep together, Ferro is fascinated and stalked by Sela, and for all this time Ferro is crushing on a woman named Kyoto who has burn scars covering most of her chest. There's a lot of thematic body stuff going on here, and it's all kind of a mess.)

Also, there are molemen, which aren't actually molemen. They're more like some kind of cavefish-esque offshoot of Homo sapiens who live in the old (but expanded) sewer system beneath the city. (I'm not sure that's better.) They communicate with Ferro by exploiting a trick of his synaesthesia – yes, Ferro also has synaesthesia, as well as hypertactility and haptophilia – which also has a tinge of the supernatural to it.

It's resisting being written, for the most part, because I honestly have no idea where it's going or why half the stuff is happening. You know, conventional wisdom says that you should have your story worked out before you start writing it. At least you should know what the major players and motivations will be. Possibly have some understanding of the plot. That's just not how I roll; I tend to slap stuff that sounds pretty on a page and hope that eventually my brain will start supplying all the connective tissue, musculature, and skeletal structure. Sometimes in that order.

But I wrote a slim 655 words on it last night, and now I'm sharing an excerpt with you!

He felt himself sailing down, through the floor, drawn toward the molten center of the world, but before he could come anywhere near it he was caught in a noise like spidersilk. It wrapped around him, twining through his pores in a rhythm like words.

They were words. Maybe not in a classical sense, but something intelligible without being sound. Something like,

(intruder)

And then, by more voices, closer to his skin,

(brightseer, sunfucker)

(up him)

(yeah)

(up)


[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop which has supported real live Bizarro authors! And many, many others.]
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If you wanted to count the combined wordcounts of everything I've worked on since the start of the Write-a-thon, we'd be up to 624 now! If you wanted to count the actual words I've written since the start, we'd be at... something more like 87.

Neither of these are particularly inspiring numbers, but I'll take them, because they're greater than 0.

Today's 87 words went to The Angel at the Gate, a story inspired by a YouTube video of Silent Hill: Homecoming, the long-completed webcomic 1/0, and thinking about Biblical cherubs. Naturally, the story is about a group of friends who were tossed out of another world after fighting for and saving it as destined heroes, and who find themselves unable to leave the city they've been thrown into because there's a supernatural phenomenon which blocks their way out.

(They name the phenomenon Azrael. Who was not a cherub, if you were wondering.)

Long story short, my fiction rarely bears any resemblance to its inspiration, so I hope the preceding explanation made no sense to you.

...

...hey, who wants an excerpt!

I look up to see Zeph straddling the peak of the roof, nailing down siding, and the arc of the hammer in his hand takes my breath away. It doesn't take long for him to look down and see me, loitering in the middle of the road.

I sign, Remember the flight to the burning cathedral? Your sword scattered the sunlight and gave you wings.

Zeph grins and hefts the hammer, then sees something in my face and sets it down. And he signs back, with emphasis on every word:

Don't. Start. Crying. Here.


[Semi-boilerplate text: As always, I hope you'll check out and support the Clarion West Write-a-thon (and me in particular, if you feel so inclined). Your donation will help a workshop that allows its students to create quality work like mine! Except often better, and coherent.]
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I had this post roughly sketched out in the back of my head, but then my week got all crazy, my basement flooded, and I got sidetracked by writing about space elevators and hydroponic roses, so here's the distilled essence of the Post That Never Was:

Anna Hazare is awesome. You should all take a look at "Escaping Poverty: The Ralegan Siddhi case," and then we should all get started on sensible watershed development here. And everywhere. Though possibly Iowa City needs a different sort of watershed development program than Ralegan Siddhi needed, given Iowa City's aggravating tendency to either flood the Arts Campus or flood my basement.

Omens

Oct. 5th, 2011 07:38 am
magistrate: The arc of the Earth in dark space. (Default)
You know, I'm agnostic-skeptic when it comes to omens and signs. I think most of the weird coincidences we see are just coincidences, and not actually that weird. It's just that we notice them, and the billions of tiny co-occurrences that don't hold any special similarity go unnoticed because there's no reason to give them any attention. "I wrote a blog post about gluten-free desserts, and then I turned on the radio... and there was a story about an embassy bombing!" ...okay? That sort of stuff happens all the time, with overwhelming frequency, yet it's always the "I was thinking about quitting my job, and a copy of the newspaper classifieds blew onto the sidewalk in front of me!" events that get all the attention. "What are the odds!" As it turns out, just what it took for the event to happen, and all the dreg is still there in your peripheral vision.

But, you know, that doesn't stop me from going after the "signs" and "omens" that do crop up in my life. It's a magical-consciousness thing.

By which I mean: in my low-key, homegrown magical practice, a big central philosophy is bricolage: "to make creative and resourceful use of whatever materials are at hand (regardless of their original purpose)". So when I write a post about being afraid to move forward and then the next day I wake up to a Live Your Legend mailinglist email about how the biggest threat to your success is quitting, and once you get that under control, all the other risks are small potatoes, I still interpret it as basically a message from $god*.

*Here I'm using the PHP variable syntax – $variable_name – to indicate, basically, "god-of-choice". God is another thing I'm both faithful and agnostic on.

And that's because I've taught myself to glean meaning and inspiration from things. Meaning, motivation, inspiration, and direction are things I need in my life, and I know that I sometimes have to be creative in fulfilling those needs. So when I see a coincidence that I can use to feed into my motivation – in this case, it's a "sign from the universe not to give up" – the framework of my thinking goes something like this:

Something called itself to my attention. => Is there meaning I can ascribe to this? => Is the potential meaning helpful or harmful? Can I interpret it in a way that makes it helpful? => If it's helpful, DUDE! It's an OMEN! If it's harmful, whoo, look at that, it's another wacky coincidence, and I go on my way.

This is a pretty blatant logical fallacy, of course – it's the same sort of thinking that contextualizes a misfortune that happens to someone of $x_particular_faith as a "test of faith" and an identical misfortune that happens to anyone else as a sign of $god's displeasure. But I'd rather look at it as a mindhack. Yeah, it's spurious and completely arbitrary, but I'm aware of it and can watchdog it so its net effect on my life is positive and it doesn't harm anyone else. I can glean a spot of inspiration from my own coincidences, and if I ever come across an arrangement of rocks in a stream that seems to spell out KILL THEM ALL, I'll take a picture and share it on Twitter with a note about how wacky patterns in nature can be.

Ordeals

Oct. 3rd, 2011 02:35 pm
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If I were to be any sort of spiritual teacher, the one I'd find most honoring would be a master on the ordeal path.

Though my definition of an ordeal is broader than the one at the article linked. A quick sketch of my definition would be: an ordeal is something that frightens or challenges you in a real, meaningful way, which you go through anyway.

This comes up in a variety of ways in my conversations: as a fiction kink, as a sacred qualia. One of the character archetypes that stays with me the most is someone who drags another person through something which the other person wouldn't have attempted or possibly made it through on their own, and that person is the better for traversing it. It resonates with me.

And there are other things that stay with me, too – like how one of the people I love told me, before I was off to do something that terrified me, I promise you, you can survive this.

But before I could even consider setting myself up as an ordeal master or an ordeal guide, I looked at myself and realized that I had better know the experience inside and out. And to do that, I've been putting myself through ordeals – and they're often little, quotidian things, unimpressive things, but they're still things that frighten me. It can be as simple as dealing with my dislike of phones and confrontation to call a place to dispute a charge or cancel an account, or as common as setting up a dental appointment and dealing with the discomfort and pain, or as nonthreatening but god, I don't want to do this right now as cleaning a room in the house. (Even writing this is an ordeal, in a way – not so much the writing but the posting and leaving for people to see.) I have boatloads of small anxieties, ranging from talking to strangers to driving on my own, and one by one, I'm working through them. And I'll keep working through them until I've mastered them and am no longer afraid or averse.

There have been a couple of times recently when I've made myself proud, too. Frex: I went to Seattle to visit my brother, in early September, and one day he had to work and I was left pretty much on my own. I can't describe how much I wanted to just stay in the house and do nothing, not have to interact with an unfamiliar city or with being on my own, but I made myself get out. I walked through unfamiliar neighborhoods to a bank to get cash for the day, and then walked to the water taxi and took it downtown. I had lunch on my own. I went on a harbor tour of Elliot Bay. And when that was over and I'd gone back to the West Seattle water taxi terminal, I took off my shoes and dipped my bare feet in the waters washing in from the Pacific.

Or there was the time this weekend when I drove myself out of the city and up to the Macbride Nature Recreation Area, and participated in a wilderness survival camping experience. I shouldered a heavy pack and kept pace with the group, all of whom were, I suspect, more in shape than I was. I helped start a fire without matches, and made my own shelter out of debris and a tarp. I slept in the cold and woke up sore and tired and helped tear down the camp and bring water up from the reservoir and douse the fire, and I shouldered my pack and kept pace out of there.

And to a lot of people, those would be little things. Not even a challenge. But years of being sick and dealing with low blood pressure and syncope have taught me not to trust my body, and a lifetime of mis-interpreting people, relationships and society (because human interactions are so often just alien to me) have taught me not to trust my ability to deal with others, and so many other things have taught me not to trust so many other aspects of myself that challenging one thing and defeating that one thing is a victory I hold close. Any scrap of confidence I can knap from the world is a trophy.

And there are some fears I've mastered – submitting short stories to market was one. (I still remember how terrified I was the first time.) There are fears I'm working on but slowly overcoming, like driving and talking to fiction editors. And there are fears that still kick my ass, like dealing with dysphoria and gender and society, or striking up conversations with people I don't know well, or managing savings and feeling capable of getting back on my feet in the event that I should lose my job.

But I'm going to face them. With work, I'm going to conquer them. Because I value strength and resilience, and I intend like hell to follow this path where it leads me.
magistrate: The arc of the Earth in dark space. (Default)
You know, I feel like I did this last year, too. Dove into the Write-a-thon with both feet, conveniently forgetting a few salient facts. In this year's case, the facts I overlooked are these:

1) The end of June is the end of the fiscal year for the University of Iowa, and I support and develop financial applications for the University; and

2) I'm going to spend just about every waking hour of next week in Laramie (or driving to and from Laramie) to learn about astronomy.

In short, I haven't had the time to work on fiction, nor will I.

But I have this week, and let's hope I can get something done this week.

What do we have up? *drumroll, please*

After The Land of Dragons


(A working title, which cribs too much from the excellent After the Dragon by Sarah Monette, which you should definitely read.)


It's a story about shattered communities, altered bodies, collateral damage, and unexploded landmines, except that the landmines are really dragon bits. Fun times!

It's a thinly-scaled political allegory. And that was a horrible pun. )

I wrote the first draft of this for my Iowa City crit group, who unanimously told me that it needed to be a novel. I think that with a bit of tinkering and clarifying the arc and focus, I can make it work as a short story first. Let's see if I can, this week.

Oh, and have an excerpt, too!

Excerpt under the cut. )


There's still time to sponsor me and help out an awesome workshop! Clarion West is supported by cool folks like you.
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In true Clarion West Alum style, I am diving into this week slightly belatedly and with no clue what I'm doing! Join me for the ride.

THE CHARACTER: An Owomoyela, your narrator, a graduate of the 2008 class of the Clarion West Writers Workshop, author of various and sundry things.

THE CONFLICT: Your intrepid narrator has agreed to work on a different writing project every week for six weeks and blog about the results, in the hopes that you, O Readers, will sponsor hir and hir cause. In return for your money, your encouragement, or simply your occasional attention, you'll receive ramblings, blatherings and excerpts from a variety of different thingbobs!

THE FIRST CHAPTER: An will be – and hang on, se's just deciding this now – working on (drum roll, please)...

Slivers, (or) The Child Born With Fangs

A xenofictive fantasy YA novel concerning gender and the nature of humanity.


Slivers begins with a child named Rankiryo, a name meaning "Child of the Old Ways." He's a lyncis by species, and I'll provide a link to a visual aid for what lyncis folk look like. So, yes, I'm writing a fairly shameless catperson novel, but that's alright, 'cause I'm an author, and I can do what I want.

Continue reading on the subject of lynxes... )

Or perhaps you'd like an excerpt? )
magistrate: The arc of the Earth in dark space. (Default)
Yesterday's xkcd had an interesting challenge in its mouseover-text.


Wikipedia trivia: if you take any article, click on the first link in the article text not in parentheses or italics, and then repeat, you will eventually end up at "Philosophy".


So far, I've tried it with Spark Plugs, Banana Slugs, My Little Pony: Friendship Is Magic, Chuck Palahniuk, Infantry, Carnarvon (Western Australia), and Fatal Hilarity. It all works. Usually inside of twenty-thirty clicks. After doing this long enough, you begin to see certain patterns and get a feel for when you're getting close to the Philosophy goal. For example, once you hit Natural Science or Social Science, you know there's no escape.

I think it has everything to do with the format of defining everything in more-general terms. So you can start with something that seems entirely unrelated to anything philosophical like Vilii, a "type of yoghurt (a mesophilic fermented milk) that originated in the Nordic countries," with a "ropey, gelatinous consistency and a sour taste resulting from lactic acid," but Viili is a kind of yoghurt, which sends you on through dairy product » food » plant » living (and here you start thinking, uh-oh, we're on the track for philosophy) » objects » physics (and here, the physics link is marked as already visited; you end up at physics in a lot of the paths) » natural science (remember how I said there was no escape?) » science » knowledge » facts » information, sequence, mathematics (admittedly, once you get onto the "information" leg, it does circle around a little), quantity, property, modern philosophy (uh-oh), and finally, philosophy.

There's already a significant amount of talk on the phenomenon on the Philosophy "Talk" page. People have found articles that put you into an infinite loop (as of this writing "understatement" was the first qualifying link in the Ernest Hemmingway article, and the first qualifying link in the understatement article was "Ernest Hemmingway"), but it seems to hold true for the majority of articles people have tested.

So, there's your random minor mindblow for the day.
magistrate: The arc of the Earth in dark space. (Default)
...and obviously rather old, judging by the date on the Scalzi post. Still, worth sharing.


John Scalzi has written an eloquent, elegant, and brilliant post up on Whatever: Things I Don't Have To Think About Today.

[...] Today I don’t have to think about the people who’d consider torching my house of prayer a patriotic act.

Today I don’t have to think about a pharmacist telling me his conscience keeps him from filling my prescription.

Today I don’t have to think about being asked if I’m bleeding when I’m just having a bad day.

Today I don’t have to think about whether the one drug that lets me live my life will be taken off the market.

Today I don’t have to think about the odds of getting jumped at the bar I like to go to.

Today I don’t have to think about “vote fraud” theater showing up at my poll station.

Today I don’t have to think about turning on the news to see people planning to burn my holy book.

Today I don’t have to think about others demanding I apologize for hateful people who have nothing to do with me.

Today I don’t have to think about my child being seen as a detriment to my career. [...]


And Patrick Nielsen Hayden sums it all up:

Spot on. The essence of privilege isn’t wearing a top hat and cackling yar har har while lighting expensive cigars with $100 bills. The essence of privilege is not having to worry about the crap that the unprivileged do.
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This was hard to write, and even harder to post. Harder still to post publicly. Still, here it is – after having sat in my drafts folder for about four months, but thrown to the world at last.

=

In an effort to help people understand privilege, its forms and complexities, I'm going to use myself as a case study. I'm going to examine a lot of the ways privilege affects my life, positively and negatively. So, while I will be pointing out ways in which I'm disadvantaged, I'm also going to try to own up to a lot of my own privilege, because it's really not a simple thing. You can be privileged in one way and disprivileged in another.

This isn't meant to be comprehensive or exhaustive. It's meant to provide a few glimpses into things people might not otherwise think about, especially with regards to the difference between who and what you are and what privilege you are accorded. It's beginning to unpack the invisible knapsack, but it's not finishing it.

It's a starting point, which will hopefully get people thinking.

So let's start.


Privilege I have



Read more... )


Privilege I sometimes have



Read more... )


Privilege I don't have



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Privilege is not universally desirable. One of the things that seems to tag along with male privilege is the privilege to be intimidating. While this is useful in warding off some types of harassment, it can be very unsettling when invoked accidentally. When I used to walk home alone while my city was having its big, well-reported problem with people being sexually assaulted walking around after dark, I'd occasionally find myself walking down the same stretch of road, presenting as male, to all appearances following a solitary female pedestrian. As someone who doesn't want to come across as threatening to innocents, this was not a comfortable space to be in.

Privilege is not universally bad. In a lot of cases, the effects of privilege aren't things people should feel guilty for experiencing. The problem arises when they're privileges and not rights - the privilege to escape harassment, for example, is a privilege because it's a right which is denied to people like women, transgendered persons, poor persons. etc. The privilege to be taken seriously by doctors is a right which is often denied to fat people and people of color.

Passing is a way of accessing privilege. If I pass for male, I access aspects of male privilege. If someone passes for white, they access aspects of white privilege. This can happen involuntarily as well as voluntarily, and someone can be passed as well as passing. One example of this is a person of color who's granted "honorary whiteness" by their friends - their friends will stop noticing that they're a person of color, even to the point where they'll have a moment of "Huh, they are" when it's brought up. Another example is a person with a mixed ethnic background who appears white enough that people assume they are white.

Privilege is multifaceted. Even at its most simplistic, we can split it into two parts which have to be evaluated separately: the personal, what one experiences, and the social, what one is accorded. This is how someone with severe gender dysphoria who nonetheless passes for their assigned gender can both experience and lose cisgender privilege; feeling comfortable with one's own body and expected social roles is a cisgender privilege which they have lost, while the ability to exist and function in society without being harassed on the basis of their gender is one they maintain.
magistrate: The arc of the Earth in dark space. (Default)
LiveJournal, for reasons known only to them, has begun stripping out any inline styles written into a tag using the style="" attribute.

This one really has me frothing at the mouth, partly because the RP I'm in (and have been for the better part of three years has always been a place to explore a lot of different modes of storytelling, and those modes extend to things like hiding easter eggs (links and whitetext) in the tags, playing with formatting to represent the mental state of characters, coding certain types of psychic activity to certain colors... even things as simple as letting a character scribble out what they've written. Basically, we've enjoyed playing with hypertext as a medium. The internet makes something that's only beginning to show its head in traditional literature (see, for example: House of Leaves) accessible, and it's been a great deal of fun channelling our assembled creativity into this.

Now, that's rendered impossible. Worse, the work we've already done has also been stripped of its styling. In some cases, the tags have degraded gracefully. In others, they've been rendered almost unreadable.

I've set up a side-by-side comparison of the styled and unstyled tags here: http://adravet.net/misc/btr_misc/stripped_css.html, and I've started a support ticket here: http://www.livejournal.com/support/see_request.bml?id=1173954& as well as brought it up on a news post here: http://news.livejournal.com/130727.html?thread=91337895 .

I hope that this is a bug; or, if it was a deliberate choice on the part of the developers, that they can be persuaded to reverse it. For a service which advertises itself as a place to express yourself, this is a very disheartening occurrence.
magistrate: The arc of the Earth in dark space. (Default)
I blogged a little bit, earlier, about getting myself even-keeled through meditation, and I was actually kinda surprised at the response I got back from it. Given my own newfound fascination with the topic, I suppose I shouldn't have been, but I think I'm getting used to my interests either diverging sharply from those of my peer group or just being niche interests in the first place. So assuming there's interest in more of this, and proceeding on the assumptions that

1) Solutions are pretty meaningless without problems, and

2) Writing things down helps me order and deal with things,

I might as well write this up.

First,

A brief overview

Here's a snapshot of my life at the moment: I'm working 40 hours a week in my full-time job, an additional four hours (plus a few hours baking and possibly an hour in transit, setup, teardown, transit) at the Farmer's Market (Saturday mornings), and trying to rekindle an active life in the UU Church on Sundays. Combined, this is my major time commitment over the week, as well as meaning that there isn't a single day during the week when I can sleep in, unless I consider 9:00 on Sundays to be sleeping in. I'm working the Clarion West Write-a-thon, which, in my case, has me writing one complete short story or novel chapter, or revising one short story, every week. I'm in a two-bedroom house which is now housing three people, two cats, a dog, and some gerbils. I'm trying to untangle several years' worth of tangled-up finances, which keep getting compounded by red tape (Iowa Student Loan, I'm looking at you) and odd errors (such as the person at Paul's who accidentally charged me the last four digits of my debit card rather than the cost of goods, and then had to have it refunded through my bank). I'm preparing for a move, and a possible side gig as a freelancer.

Those are all big, overarching things, which aren't the same as specific issues, which is significant. But they're situational stressors, which are also significant. More on that later.

Wallowing and solving

I haven't talked much about the crap what goes on in my life, because I'm making a concerted effort to be productive about it, and I recognized a trap that I used to get caught in. Basically, there's a trick I noticed some time ago: if someone has a problem, and they talk a lot about that problem, but they reject all approaches toward solving that problem, odds are they're not invested in having that problem solved. Which is understandable. Attempting to solve a problem takes effort, and there's no guarantee that it'll work, and effort and failure are both daunting things. Someone may earnestly want a problem to be solved, but be unwilling to take any action to solve it. They'll find problems with all the proposed solutions, dismiss ideas with "I can't" or some variation without seeming to consider how they could, or put in token effort and then, when that fails, dismiss the entire thing as a wash. So I catch myself having mental conversations like this:

Me (whiny): I wish I had more money. I have all this debt to pay off.

Me (sensible): Well, let's look at ways of handling this. You could prioritize your spending and increase your payments.

Me (whiny): I've done that, but it'll still take a long time to pay.

Me (sensible): Then let's look at how you could make more money. Could you get a raise, or find extra work?

Me (whiny): I don't have time for another job, and I haven't been here for long enough to negotiate a raise, especially since I think we're under a pay freeze.

Me (sensible): Have you looked into the specifics of the pay freeze or salary increases? And if you don't have time for another job, how about freelancing? Or looking to prioritize your time a bit more?

Me (whiny): I can't prioritize my time any more! There are only so many hours in the day!

Me (sensible): And how many of those hours do you spend doing not much? How many hours do you spend doing things like surfing the internet or playing video games? Are you accepting those as a higher priority than making more money and solving this problem?

Me (whiny): I have to do those things to recharge my batteries. I don't have the emotional energy to start freelancing.

Me (sensible): Have you looked into ways of increasing your mood and building up emotional energy in better ways? There's great research on the mood-lifting effects of regular exercise, and often you don't feel that great when you're surfing the web or playing video games; you might be using those as a crutch rather than a genuine way to feel better and solve your problems.

Me (whiny, in summary): Look, solving this problem is hard and I don't want to try to! I just want to complain!

...and that gets me nowhere. So when I catch myself with this thought process:

1) I have this problem! I hate having this problem! => 2) I'm going to write a blog post about my problem!

I try to short-circuit it and turn it into this:

1) I have this problem! I hate having this problem! => 2) I'm going to sit down and find a way to solve this problem.

And when I do that, the funny thing is that I'll occasionally find a way to solve the problem, and then I'll solve it, and once I solve it, I don't really need to blog about it any more. As a result, I suppose the entire process has been pretty opaque to people who aren't me.

But there are things I haven't solved yet...

Which I've been shutting up about because I'm still in the "Don't complain, SOLVE" stage. It's interesting – writing things down, breaking things apart and examining the issues, is actually a really big part of how I problem-solve. It's just that when I do it publicly, I always have to be wary of taking sympathy and validation instead of solutions. Because the problem is, a lot of the time when someone complains and people come by and say "Oh, that's horrible! That is such a big problem!", they go away with this empty, palliative feeling. There, see? I have sympathy. People know what a terrible thing I'm enduring, and they agree that it's a serious thing, and they think I'm totally cool for enduring it. And they walk away with a temporary high and the same exact problem.

But I figure there's a middle ground to be had. So! If you folk will promise to keep me on track, I'll try to open up this process for you. And maybe we can all learn a few things from each other.

Deal?

Case study coming very soon.

*Subject line referencing The Willpower Engine, a blog dissecting specific mechanisms of motivation, willpower, behavior, emotional repair, habit-forming, etc. I've found it a fantastic resource.
magistrate: The arc of the Earth in dark space. (Default)
Check out the new blog post on [personal profile] an_owomoyela for excerpts from and neepery about my second Write-a-Thon story, Redacted. It's the one with the oddly friendly church, and also memory loss and crime and disability and how to communicate stories. Sorta.

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